When I was growing up, my parents played me Shel Silverstein tapes constantly. I had this old, beaten up copy of a selection of Where the Sidewalk Ends, and it seemed like I always had it with me. When I was 16, my dad had me listen to “Freakin’ at the Freaker’s Ball” and “I Saw Polly in a Porny.” He thought it was funny. I thought it was devastating. As I grew I learned to accept Shel for who he was, and not just a fallen angel as I had at 16. I learned that he was and is one of the greatest writers of the 20th Century. His biting satire of adults, politics, social institutions and sex made clear to readers that things in this world are crazy and often fetishistic, and we need to not onl

Big Idea Theatre’s latest production, William Shakespeare’s “Measure for Measure,” directed by Kirk Blackinton and Katie Chapman, opened Friday. The play is a lesser-known bit of the canon, often put in the category of “problem play” as it fits neither the specific parts of a comedy nor a tragedy. The plot is divided between the struggle of the play’s antagonist, Angelo, played by Jeffrey Lloyd Heatherly, and the nun-in-training Isabella, played by Gina Williams. The play covers moral ground of a more philosophical nature with Isabella’s plight being the question, “Should she commit an act against God to save a life?” Set in Vienna, the production takes interesting liberties with the sta

Shakespeare’s shortest tragedy, “Macbeth,” has just been given a new pair of legs on which to stand, and the timing couldn’t have been better. With recent discussions coursing through National Public Radio concerning the role of the female military leader, Resurrection Theatre director Benjamin T. Ismail decided to cast a woman in the traditionally male role, and the results are fantastic to watch. Played in modern dress, the traditional roles of Macbeth and Lady M. as husband and wife are adapted into daughter and mother, and the play of persuasion and bitterness makes as much, if not more, sense than the play traditional. This is apparent in two vastly important plot-points: Macbeth’s r

Widely acclaimed author of “The Memory Keeper’s Daughter” and more recently ”The Lake of Dreams” Kim Edwards spoke at the Crest Theatre on Thursday as the fourth author of the California Lectures’ 2010-2011 season. Her work has been praised for its wit, humanism and realistic settings as well her innate ability to transport her reader to exotic locales and accept them implicitly in the story. Her second and most recent novel, “The Lake of Dreams,” came fast on the heels of the breakout success she achieved with her freshman effort, “The Memory Keeper’s Daughter,” which spent an awesome 122 weeks on the New York Times Best-seller List, 20 of which were spent at number one. The lecture, whic

Theater has always been a form of art native to children. Watching them play and create their own games and stories has been a staple of the family tradition, and more than a few parents have taken the opportunity to canonize these moments on YouTube. Cynthia Speakman, a local actor and teacher with the Sacramento Metro Arts Commission, has been in the game for over a decade, working with children to improve their performing skills and ability to be outgoing and expressive. "I think it's very natural for kids to act because they have an enormous need to communicate to others," says Speakman. "Even the kids who aren't extraverted want to be more confident, and for parents it's a remedy of