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Gary Chew
Age76 years old GenderMale OccupationRetired KXPR- FM host/music prgmr/prdcr NeighborhoodArden/Arcade |
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About MeLots of film reviews by me since 2002 @ www.tulsatvmemories.com. Also have audio film reviews every Friday on the Evening News of KVMR, 89.5, Nevada City. Audio reviews archived on www.kvmr.org. Film reviews also posted at IMdb.com, and www.humortimes.com. Audio of film reviews are often heard on www.peter@peterbcollins.com which also show up on itunes. |
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10 articles featured on the front page
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One article featured on the front page
“Star Trek: Into Darkness” film review by Gary Chew Maintaining linkage with itself has to be one of the underlying secrets of success for the durable “Star Trek” franchise. The linkage with all the star trekking from its outset when Gene Roddenberry got the space fable launched in 1966 to the very motion picture that's just been released (“Star Trek: Into Darkness”) makes it clear its genesis was in broadcast television. The Trek characters continue, even if they are now younger and played by others who, in many instances, weren't yet born when the series began. At present, we remain in the prequel mode of this enduring future of which Jim Kirk and Mr. Spock --- as well as the rest
“The Great Gatsby,” a film review by Gary Chew The most salient point in F. Scott Fitzgerald's great novel, “The Great Gatsby,” comes when Nick Carraway admonishes Jay Gatsby: “You can't repeat the past.” Making sure to abide by that admonition had to be what Baz Luhrmann was up to when he co-wrote and directed the Fitzgerald classic now opening across the nation. Although the story takes place as the twenties roared, this “Gatsby” has much that makes it seem as though it's actually 2013 and a grand, splashy embellishment of “Gatsbys” of the past. That's because of the film's visual effects of recent vintage. Not only are the lavish parties thrown by Gatsby and the entire film in 3
“Mud” film review by Gary Chew Imagine if you can, a film actors’ school for men only. The primary acting coaches at the school are Tommy Lee Jones and Robert Duvall ... and maybe Sam Elliott. Now you have a good impression of how most of the men in “Mud” talk and act. “Mud” was a contentious film at Cannes last year; written and directed by native Arkansan, Jeff Nichols. His earlier film was “Take Shelter” (2011). Two of the males in “Mud” who seem as though they might have been influenced by Jones and Duvall are in their early teens. Tye Sheridan (“The Tree of Life”) plays 14-year-old Ellis and Jacob Lofland (from Yell County Arkansas) plays his best bud, Neckbone, the same age. Th
“The Company You Keep.” film review by Gary Chew Robert Redford's new movie, “The Company You Keep,” needs a larger plate. It's more than dinner for Thanksgiving and Christmas, combined. Good things are on the plate but, some intended for the film, spill, in considerable measure, onto the tablecloth. The main course cast is a gourmet repast that would waft an aromatic varietal through any movie house. Director Redford plays an anonymous, liberal attorney in upstate New York who used be a Weather Under-Ground Guy of the early 70s. Susan Sarandon has the role of Sharon, a middle-aged wife and mother in Vermont, who was, back then, a compatriot of Redford's character. He was Nick then; i
“A Map of Tulsa” book review Gary Chew No doubt another really fine writer like native Tulsan Benjamin Lytal could write a story about the city in which he or she grew up, and give touching expression to that town and some of the people he or she knew while there. But since I lived in Tulsa, Okla., for nearly 30 years, I'm partial to “A Map of Tulsa,” Lytal's first novel. It's likely I was living there when he was born. One of my most memorable experiences in Tulsa happened after dark one evening, while I was driving home to my high-rise apartment among the tall buildings Lytal writes of when he describes our skyline. It was along the Arkansas River, near where 21st joins Riverside
I laughed all the way through it. I guess that means I was entertained, but it is a pretty lousy flick. I have a couple of titles that might have worked better for "The House at the End of the Street." Obviously, "The House at the End of My Rope," would've worked better...or...for those who've also seen the movie...I'm fond of "Elizabeth Shue Gets the Night Shift,"
I just love being sassy to someone who's wrong, even it that someone is me. You're right, Donald is the lead. Not Kenny. Mr. Allman and Mr. Marsden look something alike, at least to my eye. But that's not their fault. It's mine. Thanks. On another note, I didn't say the film is R-Rated. I said it's so un Rated that...etc. On a re-read, you'll see that I've put some focus on the sentence to give those who look for "lint" no reason to complain, with any luck at all. But did YOU...like the review, even if you didn't find my comments about it amusing? Film: still like dumb. btw, you'll be glad to know I have a longstanding eye exam on my calendar, come Monday. Thanks for the surf-by.
Conversation about: Zero Dark 30: The bad guy gets killed
You're right about that Ms. Garner. Maya did that for me as well. But, what I liked most about Zero was one of the obvious things about Ms. Bigelow's effort: the leveling of the 'playing field,' so to speak, between the females and the males depicted in the movie, and that, since this is a film about an actual procedure and assassination, it is authentic. Less obvious was 'why' most all of those depicted are so determined, whether female or male. I'm sure many of them are doing it for their country. Let's hope that all of them do it for that, or, at least, most of them. If Maya had not had the lead on this actual event, and the determined one would've been a male, his character would be the one I'd most like know the personal back story on.