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  <title type="text">Newest articles on The Sacramento Press tagged as "doxy"</title>
  <link rel="alternate" href="http://www.sacramentopress.com/tag/doxy" />
  <entry>
    <title type="text">Saxophone legend Sonny Rollins to play Mondavi</title>
    <link rel="alternate" href="http://www.sacramentopress.com/headline/27114/Saxophone_legend_Sonny_Rollins_to_play_Mondavi" />
    <author>
      <name>Jonathan Mendick</name>
    </author>
    <id>headline-27114</id>
    <updated>2010-05-17T04:11:33Z</updated>
    <published>2010-05-17T04:11:33Z</published>
    <content type="html">&lt;p&gt;It's been said that saxophone legend Sonny Rollins is just as good as jazz greats John Coltrane and Charlie Parker were. It's a reputation he pretty much holds alone because at age 79, Rollins has outlived nearly all the jazz musicians of his era.&lt;/p&gt;
&lt;p&gt;The &amp;quot;saxophone colossus&amp;quot; will return Wednesday to the Mondavi Center in Davis, which he said has &amp;quot;very good acoustics we (musicians) salivate at.&amp;quot; He'll bring to Jackson Hall some of his classics as well as new material from an album expected to debut next year.&lt;/p&gt;
&lt;p&gt;Born in New York City, Rollins picked up a saxophone as a teenager. By the time he was 20, he had played with jazz legends Thelonious Monk, J.J. Johnson and Bud Powell.&lt;/p&gt;
&lt;p&gt;In the decade that followed, he composed some of his best-known songs, including jazz standards &amp;quot;Doxy,&amp;quot; &amp;quot;Oleo&amp;quot; and &amp;quot;St. Thomas.&amp;quot; His bebop bandmates in those days included Miles Davis, Max Roach, Coltrane, Parker and Clifford Brown.&lt;/p&gt;
&lt;p&gt;Like many jazz musicians, Rollins is self-critical.&lt;/p&gt;
&lt;p&gt;&amp;quot;There's never absolute perfection, but I have something in focus and I want to get as close to it as I can get,&amp;quot; he said. &amp;quot;My own performance has been progressing as the years have gone by and I'm very optimistic about the future at this point.&amp;quot;&lt;/p&gt;
&lt;p&gt;He was part of the Clifford Brown-Max Roach Quintet when Brown died in an auto accident. His good friend's death had a profound effect on Rollins and he began the practice of channeling fallen musicians.&lt;/p&gt;
&lt;p&gt;&amp;quot;I used to channel (Brown) sometimes, and I got his spirit, (but) after a while I let his spirit go on because I didn't want to be greedy and keep him back here on Earth,&amp;quot; he said. &amp;quot;So I let him go on. Same with the other guys.&amp;quot;&lt;/p&gt;
&lt;p&gt;As much as he respects his contemporaries, these days Rollins doesn't want to be known only for his associations with them.&lt;/p&gt;
&lt;p&gt;&amp;quot;I don't feel any responsibility anymore for standing up for them or upholding their legacy,&amp;quot; he said. &amp;quot;Now it's all me and I have to stand on my own, and I'm perfectly willing to do that. I've had years and years of associations. And I'll rise and fall now on my own accomplishments.&amp;quot;&lt;/p&gt;
&lt;p&gt;Rollins credits his diet and regular exercise, as well as staying away from smoking, for his longevity. He's also known as a private and solitary man who enjoys meditation and solo practice.&lt;/p&gt;
&lt;p&gt;Rollins has been called reclusive and is famous for taking sabbaticals. For several years, he would practice alone on the Williamsburg Bridge. &amp;quot;I love playing outdoors because you can communicate with the sky,&amp;quot; he said.&lt;/p&gt;
&lt;p&gt;He's not content doing the same thing and likes to explore new musical ideas every day, Rollins said.&lt;/p&gt;
&lt;p&gt;&amp;quot;I'm trying to make my own music as relevant and contemporary as hip-hop is,&amp;quot; he said. &amp;quot;I can say it has a certain validity and, for its time, it's sort of what bebop was for our time.&amp;quot;&lt;/p&gt;
&lt;p&gt;Though he agreed that hip-hop is a genre that falls under the umbrella of jazz, Rollins said he isn't quite ready to perform a hip-hop song.&lt;/p&gt;
&lt;p&gt;&amp;quot;You really have thrown me into a conundrum on that one,&amp;quot; he said with a laugh. &amp;quot;(Other musicians) can use hip-hop in a way I can't and I don't know if I could make the transition.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;A free pre-performance lecture will be given at 7 p.m. by Jeremy Ganter, associate director for programming at the Mondavi Center. The Alumni Center, AGR Room 8. The concert begins at 8 p.m. at Mondavi Center's Jackson Hall, 9399 Old Davis Road. Tickets are $17.50 to $55 and are available at the University of California at Davis ticket office and online &lt;a target="_blank" href="http://ev10.evenue.net/cgi-bin/ncommerce3/SEGetEventInfo?ticketCode=GS%3AUCD%3AMC0910%3AM0519%3A&amp;linkID=ucdavis&amp;shopperContext=&amp;caller=&amp;appCode=&amp;RSRC=MainEventPage&amp;RDAT=TicketGraphicLink"&gt;here &lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;Photographs:&lt;/u&gt;&lt;em&gt;&lt;br /&gt;
1. Credit: Jamie-James Medina.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;2. Credit: Michael Jackson.&lt;/em&gt;&lt;/p&gt;</content>
    <dc:creator>Jonathan Mendick</dc:creator>
    <dc:date>2010-05-17T04:11:33Z</dc:date>
  </entry>
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