Music

Tia Fuller Quartet Inspires Audience

2011-12-12T06:26:28Z

Low lights and a sultry combination of magenta, fuchsia and violet lighting provided the ambiance for the evening. A glance around the room showed an audience of seasoned listeners: a mature, diverse crowd of jazz enthusiasts. At center stage, donning a shimmering purple sequin dress and fishnet stockings stood the quartet's leader, Tia Fuller.

The Tia Fuller Quartet starred in a four-day run at the UC Davis Mondavi Center Wednesday through Saturday, sponsored by the Capital Public Radio Studio Jazz Series.

Fuller emits a raw charisma, sassiness, an uncanny edginess and outright star quality onstage. She picked up her saxophone and began to play her first set. The opener "Decisive Steps," a magnificent composition, delivered a gut-busting solo where Fuller seemed to pour all of her energy into the instrument. Immediately, one gets a sense that "Decisive Steps" is a journeyer's soundtrack, one of perpetual movement and determination.

Afterward, the warm musician welcomed attendees and spoke with the audience.

The song "Wind Soar" delivered an inspirational message to the audience about elevation, pursuing one's dreams and visualizing accomplishments.

The quartet also treated the audience to "Katrina's Lullaby," a tribute to those affected by Hurricane Katrina. The track is not on the new album, “Decisive Steps,” but it allowed the musicians to show their range of musical style. "Katrina's Lullaby" has gospel and blues influences peeking through the composition.

The solid groove "Ebb and Flow" has a funky, upbeat tempo and sends the message of "just go with it."

"It's a difficult time in our economy right now," Fuller said. "There's job loss, money issues, obstacles, but we've got to move forward through them with faith and not fear. Keep your eye on the prize.”

Audience members clapped through the song and some danced in their seats.

"Kissed by the Sun" was another audience favorite. The lead musician spoke about the inspiration behind the piece, saying that it was reminiscent of a "sunbeam and a kiss, warm and juicy."

Fuller's saxophone is haunting when it echoes in silence and has a clear “voice.” She definitely has the chops and really knows how to make a saxophone “talk.” Each note captivates your attention. It is a delightful auditory treat to absorb the abrupt musical breaks and intricate scales, accompanied by the complimentary sounds of the piano, bass and drums.

Quartet members Rudy Royston (drums) and Mimi Jones (bass) really impressed the audience with their stunning solos. Unfortunately, the third member, Shamie Royston (Fuller's sister), was unable to attend. Pianist Rachel Eckroth filled in for Royston.

Overall, the Tia Fuller Quartet has great chemistry and takes listeners speeding along and sending them free-wheeling and somersaulting through notes executed with precision. The group's chart-topping album “Decisive Steps” is a testament to the devotion of sound. Listeners can sense enjoyment and a subtle boldness that finds its way inside to their soul.

Fuller ended the evening on a positive note.

"Move forward with decisive steps, with faith and not fear," she said. "I hope you remember that and take that with you."

Fuller Quartet Comes To Mondavi Center

2011-12-08T04:23:09Z

Tia Fuller and the Fuller Quartet are scheduled to perform at the UC Davis Mondavi Center tonight through Saturday, with daily show times at 8 p.m.

Tickets range from $19 to $38. The group’s recent accolades include the chart-topping album “Decisive Steps,” ranked No. 1 and touting the nomination for best jazz album in Jazz Week.

Fuller made time in her demanding schedule to speak with The SacPress to give audiences a glimpse into the heart and soul of this jazz sensation.

Fuller's passion for music is literally “in her blood” — the gifted saxophonist hails from a family of musicians. She said it is this personal connection that is the source for her inspiration.

She is a musician with a finely tuned sensitivity to her craft of creating music for her audience. Her reason for being so passionate about jazz music is due to its unlimited expression.

"It's the freedom," she said, "the freedom to express yourself even if it changes on a nightly basis. It's the ability to have a different voice based on how you feel."

Her candor is unwavering, a signature of authenticity. In another word, Fuller is an honest musician.

"I want people to be inspired, to feel connected and encouraged to move forward in spite of any challenges or differences they may face,” she said.

Jazz lovers and concertgoers will be moved by her riveting and energetic performance. It's a rare treat not to be missed.

Hip-Hop Music Transcends Language Barriers

2011-02-23T03:48:19Z

Walls of colorful graffiti art surrounded audience members. Images of break dancers flashed on the wall behind the stage. Latin-infused hip-hop rhythms pulsed out of the speakers.

The Sol Collective hosted a concert Sunday night with an exciting and eclectic lineup of artists with performances starting at 9 p.m. Billed originally with headliner Anita Tijoux and A-Plus of the Hieroglyphics, attendees got more artists for their money with performances by Century and Los Rakas added to the evening’s talent. It was a celebration of hip-hop being transcendental of cultural differences.

“Arts, culture and activism” is the mission of Sol Collective, said the Andrew Bell, director for marketing for Sol Collective. “This is the only place that this music is being played in Sacramento.”

Bringing Tijoux to the stage is a part of Sol Collective’s “Global Hood Music Series.” The series has brought musicians from Brazil, Chile, Ghana, France, Mexico, Puerto Rico, Panama, Cuba and Columbia, as well as artists from all major U.S. cities.

The music one can expect to hear ranges from hip hop to electronic, from reggae to dub-step and from violet funk to carioca.

The standing-room-only crowd was a melting pot of many ethnicities – all fans of music – spending an evening listening to English and Spanish-infused lyrics from various emcees.

A few songs by emcee Century warmed the crowd up. It was her tribute to women in hip hop, “Just A B-girl Rapper,” that the audience responded to with enthusiasm.

DJs kept the energy going by playing music between sets.

Los Rakas rocked the crowd with their stage presence and rapid lyrical delivery in partial English and fluent Spanish songs. The young duo from Panama skillfully engaged the audience like old-school hip-hop veterans but with new-school flavor. They garnered instant fans.

“Latino hip hop is about to explode,” said attendee Neal Liggins. “Los Rakas gave a great performance – they had great energy.”

A-Plus of the Hieroglyphics really took the levels of excitement up another notch. The Oakland native performed several selections – even debuting a single from a project entitled “Pepper Spray” combining rock and hip-hop music.

The single put a spin on the Red Hot Chili Peppers hit “Give It Away.” However, there was no song that had a signature sound more than when he performed a few bars from the single, “93 ’Til Infinity” – a popular song from when the Hieroglyphics were known as Souls Of Mischief.

Dynamic Chilean emcee Anita Tijoux, arrived on stage donning a gold multi-finger ring, hoop earrings and a baseball jacket. Her image is that of a classic trademark B-girl. She is an emcee who possesses a feminine panache and a lyrical edginess reminiscent of vintage hip-hop music.

She performed all her selections completely in Spanish lyrics and encouraged audience members to participate in call and response in her native tongue. Audience members welcomed her engaging style and understood that beyond words, good music speaks to your soul.

“I know that a lot of you don’t know what I’m talking about. But it’s not about that,” Tijoux said. “It’s about flow and about energy … the same way you feel it in here,” she said, pointing to her heart, “is the same way we feel it.”

Despite the language barrier, the crowd enjoyed the music.

“I feel somewhat disconnected because I don’t know what she’s saying, but I try to learn to appreciate that she’s from a different country and speaks a different language,” said attendee Eric Tagg. “People should listen to different cultures. It opens up their eyes – it’s important that people come here and speak their language.”

As to whether the language barrier was a concern while promoting the event, Bell stated, “It came to my mind, but I think funk and flow are universal … She (Tijoux) has a swagger and flow, and that, I think, translates in any language.”

Reggae Artist Anthony B. Rocks Harlow's

2011-01-15T09:29:15Z

If you’ve never heard of Anthony B, his name will soon be added to your favorite reggae playlist after his energetic performance, stage presence and positive musical message during Thursday night’s performance at Harlow’s.

His voice soars high above the crowd and takes you to the hills of Jamaica. A soulful organic island sound pours out of him with fluidity, and the energy he brings to his performance spreads like wildfire.

Known for his high-impact aerobic performances, Anthony B is truly an artist for the people.

“Anthony B is right up there with Buju (Banton) and Capleton – he transcends dancehall,” said ex-Sacramento radio personality Davey D. “I bet you he has 15-20 albums. All he does is tour – he’s the kind of guy that’s always working.

“He gives people what they pay for. The same thing he does on his soil is the same thing we can expect tonight,” he added.

“I drove three-and-a-half hours just to go to this, and I have to be at work in the morning!” said the Fresno radio DJ.

Jamaicans have a saying “everything is irie” (meaning good or serene), and it applied to the entire event.

Some may find reggae music offputting or can be deterred due to misunderstandings or lack of knowledge about this wonderful music. However, you needn’t know the words to the songs nor dig too heavily into politics to appreciate it.

Almost instantly, you will have a superb time dancing to the catchy rhythm before realizing it. Simply put, good music truly is good music.

“Sacramento doesn’t have a lot of Jamaican things, but it has a lot of Jamaican support,” said 60-year-old concertgoer and Anthony B supporter Mykal M.

“I came to support, and I can still dance!” said the proud native of St. Ann’s Bay, Jamaica. “Rastafari spread the teachings of love and peace.”

That was the same message that was on the stage during the headliner’s performance.

The good vibes and support for this beloved artist kept flowing through the evening as many attendees shared why Anthony B’s music is inspirational.

“I’ve been a fan for 10-12 years, said Anthony Williams, one of the concertgoers. “ His energy just embodies all things positive. You listen to his words – his lyrics are so strong and powerful.”

“I hope to bring more reggae and family-oriented events to Sacramento,” said H.A.S.O. event promoter Denise Carter. “This is a celebration for our community.”

The atmosphere was a combination of excitement and relaxation while the bass throbbed out of the speakers. Selecta Empress Tru Dawta was spinning vinyl records during the beginning of the evening and between sets.

If you do not know much about the culture of reggae music, such as the difference between a disc jockey and a selecta, Empress Tru Dawta was there to inform the unknowing.

“Selectas select records, DJs are told what to play. I do my own selection – it gives me more power,” she said.

“His sound is unique. I love him, and I hope he plays ‘Fire Pon’ Rome’ tonight,” the Oakland native said. “It’s a conscious, politically enlightening song – really just about educating people … sometimes you just need to bring truth to light.”

Vendors flanked the opening of Harlow’s selling various wares. There were plenty of products to view.

Local vendor African Royal Family Foundation was there selling items whose proceeds benefit the children of Ghana and their education.

Another vendor, Robert Martin, said his hand-selected items were a “one-stop shop.”

Event sponsor Somos Urban Foods took a different approach. Owner Sonja Morley was there representing food made from cannabis products. She had samples of sour apple carbonated soft drinks, English toffee, Crazy Corn and CC’s Censational Candy – all including THC as a special ingredient.

South African performer Eyezon prepared the crowd for the main event.

Mass applause and shouts of joy erupted as Anthony B entered the stage.

He skillfully engaged the audience, and the band played several musical numbers.

“With reggae music, it doesn’t matter your race, class or creed,” Anthony B shouted to the crowd. On one song, he surprised the audience as his band struck the first chords to the familiar unifying anthem “Lean on Me.”

Anthony B’s personal message was delivered loud and clear when he told the audience, “If you don’t remember anything tonight … Sacramento, love yourself!”

“Rasta music is universal music – you want the world to grasp and understand your little idea globally,” Anthony B. told The Sacramento Press. “I’m a person with a purpose, not just an entertainer.

“I want to bring the message everywhere, he continued. “Sacramento is a place I choose to go. I’ve been here three times, and I come the same time every year.”

So, if you’re looking for an awesome reggae artist, a new sound to listen to, or are just curious about an artist you should listen to, Anthony B is a terrific place to start. His upcoming album, “Rasta Love,” is set to be released in February on the Born Fire Music label and is sure to bring the same energy from his live performances right into your speakers and, ultimately, your heart.

Coffee Goes To Electrifying Heights

2010-09-20T05:00:35Z

It was a wake-up call of eye-opening proportions. It was a smooth, delightful sound experience. It was simply soulful and stimulating. Call this group your favorite urban bohemian coffee shop brand in a cup — Starbucks, Old Soul Coffee Co., Peet’s, Java City — whichever you choose.

It was exactly as group members Lawrence Dinkins (also known as NSAA) and Ross Hammond described it: Electric. Poetic. Coffee. The group’s moniker coined by Dinkins was an on-target summation of what they represent.

“As Lawrence likes to say, I’m the electro part, Lawrence is the poetic part, and we both like to drink coffee,” Hammond said. “It’s poetry and folk songs over guitar and electricity. We try to make it really listenable.”

Hammond, a 33-year-old electric guitarist, plays several different musical genres ranging from soul and jazz to folk and experimental. This latest endeavor combines all the genres into a spoken-word style that allows Hammond the freedom to create and also gives him a format for Dinkins to be a messenger on microphone.

“I’ve been trying to get more into improvisation, and it’s fun working with Lawrence. It’s like working with another musician," Hammond said. "We have a similar vision of where we want the music to go and we’re able to bring a common ground."

“Ross just doesn’t play the guitar — he’s a sound engineer," Dinkins said. “He brews up ‘soundscapes.' It’s a deeper meaning than both of us loving coffee. He puts down a soundscape and I try to find a piece to match."

“Lawrence has a message he’s trying to get out," Hammond said. "His poems hit to the core — it has a lot of values, it’s something that everybody can relate to. This is our first album, but I have a feeling that we’re both in it for the long haul.”

Luna’s Café had a small number of loyal supporters who attended the group’s album release party. Attendees were treated to button pins that said, “I Love Electropoetic Coffee.”

“They are one of the best jazz guitar combined with spoken-word element groups,” cafe owner Art Luna said. “I love the syncopation of the two forms. It’s like the lyrics of a song that complement music.”

Luna’s Café has been a longtime advocate of the local arts scene and is considered a home venue for many artists and musicians.

“It’s hard economic times for venues to thrive," Luna said. "And it’s a difficult time for the
arts in general. I encourage people to come out and support local music and theater in Sacramento if they want it to thrive.”

The opening group was a soulful jazzy duo named Mondy. When Electropoetic Coffee took to the stage, they did so with a warm, inviting enthusiasm.

The opening song “In Hot Pursuit” stated boldly, “I am a warrior poet.” The thought-provoking and potent lyrics against the wailing rock guitar cut through the air. “I walk through mine fields."

The performance took audience members on an intimate ride through social, political and relationship issues. The album is peppered with an unabashed realism, tempered with rebellion and forcible diction steeped in political tributes to martyrdom, such as in the song “Bright
Light.”

“I Will Miss,” “Mary Anne & Joann” and “I Love the Way You Drink Your Coffee” became crowd favorites. They were relationship poems, each possessing a disarming sentimental quality, lyrical ease, element of humor (in the latter two) and commonality of the human experience.

“Mama Never Told Me” brought social and political themes to the audience’s attention as it was dedicated to Pakistan and the effects of Hurricane Katrina in New Orleans.

“Childhood Friend” had a genuine nostalgia of memories of childhood past.

Hammond’s ingenuity and sound engineering provide an interesting layer to the musical experience and are a wonderful compliment to NSAA’s vocals.

“I listened to the CD and I wanted to hear them live,” local visual artist Daphne Burgess said. “I’ve been a fan of NSAA’s work for a while now, and I wanted to come out and see him perform."

“NSAA recently did a performance for one of our events,” said attendee Lateka Stanley, director of youth development for Shine On Sisters. “He always reminds me of Langston Hughes and his resounding voice.”

“Our music has substance," Dinkins said. "It’s encouraging listeners to be the best that you can be politically, socially, spiritually, romantically. We’re all human, and we can make the world a better place. And it starts with what you listen to.”

Caption 1: The group Mondy started the evening with a few songs to warm up the crowd.

Caption 2: Electropoetic Coffee takes to the stage and welcomes attendees to their album release party. The group consists of Ross Hammond, left, and Lawrence Dinkins better known as NSAA (pronounced ehn-saa-ah), at right.

Caption 3. NSAA performs one of several pieces during the evening.

Caption 4: The audience listens intently while Electropoetic coffee performs onstage.

Caption 5: Ross Hammond, plays an inspirational guitar solo as the audience listens on.

August Heats Up With 'Jazz At The Crocker'

2010-08-21T01:39:26Z

Who says summer has to end in August? Well, the organizers of the Crocker Art Museum’s “Jazz At The Crocker” summer music series agree.

In fact, the museum is prolonging the spirit of summer with its “Jazz At The Crocker” every third Thursday of the month beginning at 5:30 p.m. and going to 8 p.m. in the E. Kendall Davis Courtyard. This month, the Crocker featured the renowned Roger Smith jazz band.

The band consists of bandleader and keyboardist Roger Smith, drummer Brian Collier, bassist Curtis Ohlson, guitarist Jeff Tamelier, saxophonist Jon Skinner, saxophonist Tom E. Politzer and vocalist Carol J. Toca.

“The Crocker has been doing this for 15-20 years—it’s a popular series,” said Kathleen Richards, marketing and communications coordinator for the museum. “It was a year-round program, but with the construction, it became a summer series.”

“Jazz at the Crocker” is not the only music series the museum offers – for several years the museum held the Classical Music Series as well. However, with the preparation for the new building and ongoing construction of the new museum, the Crocker had to scale back its programs.

“We’ll be broadening the focus of the series after we move into the new building,” Richards said.

“We’re going to capitalize on the downtown cultural music scene after the museum finishes its move,” said Christian Adame, manager of Lifelong Learning for the Crocker. “In the next summer series, we will include Blues, Reggae and Indie Rock.”

“We generally have a list of performers that the museum keeps up with,” he said. “Most of our artists are local Northern California talent.”

“Roger Smith has been performing for a number of years here. He’s one of the popular artists in the series and has quite a following,” Richards said.

As the saying goes, the proof is in the pudding. The crowd did indeed turn out in support of “Jazz At The Crocker,” with an attendance of 600 people.

“I just like Jazz, and I like Roger Smith in particular,” said fan Virginia Craig. “I’ve been following his music for five years.”

The crowd stood clapping to the rhythmic soulful sounds of Roger Smith and danced the evening away. The crowd was having a “feel-good” time. It was the perfect kick-off to celebrate the closing of a week and a great excuse to unwind.

The energetic bandleader called out to the crowd, “It’s off the hook! Don’t sit down, Let’s keep it going!”

The front of the stage became an impromptu dance floor, where attendees began to dance, two-step, and sway to the undulating bass guitar and the saxophone piercing the air.

There were couples dancing in the aisles and singles two-stepping. However, if you’re still not convinced that going to “Jazz at the Crocker” isn’t a big party, one true sign of people having a great time is line dancing. So, it was clearly recognizable that everyone was enjoying the evening when a group began doing the Electric Slide.

“We’re members of the Crocker and it’s the third Free Thursday” said member and longtime jazz supporter Don Nicholson. “We like music, and our wives wanted to come out,” he added jokingly.

“We’ve been fans of jazz music for over 30 years,” said Nicholson’s friend, attendee Henry Jeter. “We’ve been in Pittsburg, New York and Chicago jazz scenes,” he added.

“In fact there ought to be more jazz,” Nicholson said.

Every song was a crowd hit, and with so many people in attendance, it was an extraordinary party. The band brought out a diverse crowd of many ages and ethnicities. It was proof that good music and pure entertainment knows no bounds.

The highlight of the evening came with the final performance. The band covered the Sly and The Family Stone classic “If You Want Me To Stay.”

The unmistakable bass line struck up and started getting the crowd into a familiar groove. The evening culminated in one big jam session. Listening to that song conjured a feeling similar to putting on your favorite pair of slippers—it was absolutely wonderful.

The crowd lingered after the final song. It seemed the audience still craved more and refused to end the party. Perhaps it was because many still had to face going to work Friday and wished it truly were the weekend.

“I like all the bands, and I attend all the shows in the series,” said Crocker member Kat Bell.

“I’m glad I came out—any excuse to listen to jazz is a perfect time,” said Bell’s friend, Frannie Martinez.

The entire event can be summed up in one word: excellent, as described by attendee Laszlo Mohacsi.

“It’s an excellent example of contemporary jazz,” Mohacsi said. “This was an excellent and relaxing venue for great price. It’s a more personal venue—unlike other jazz festivals.”

"An Evening With Duke Ellington"

2010-07-27T01:05:28Z

What is it about walking into a jazz club that elicits an immediate sense of cool?

Harlow’s transformed its nightclub into a swanky jazz club on Saturday night for “An Evening With Duke Ellington.”

Onstage was The Vivian Lee Quintet paying tribute to the great jazz musician by playing several of his classic songs.

The quintet is composed of lead vocalist Vivian Lee, Ron Foggia on piano, Paul Klempau on bass, Jeff Minneweather on snare drum and joining them for this special night on saxophone was Joe Berry.

The snare drummer beat the drum in triple time. The saxophonist made the instrument talk — mastering scales and riffs. The bass player plucked the strings with precision. The pianist tickled those keys.

And at the center of it all was the elegantly attired Lady of the quintet. Whoever said classical jazz was out of style…lied. The night was a toe-tapping, finger-snapping good time. Cool was officially in the building.

“Long before James Brown christened himself the hardest working man in showbiz, there was Duke Ellington,” Lee said. “ He worked 20-hour days and played 52 weeks a year.

“No one had a band or sound like Duke Ellington. It will never grow old,” she added.

The quintet brought several of Duke Ellington’s jazz standards to life, including “Sophisticated Lady,” “Do Nothing till You hear from Me,” “Caravan,” “How High the Moon,” “I Let A Song Go Out of My Heart” and “C Jam Blues.”

Lee’s vocals were silky smooth on each song. The musicians played various styles ranging from bluesy and sassy up-tempo songs featuring light scatting to songs with Latin flair sung with hypnotic notes.

“How High the Moon,” paid tribute to the sound of swing music. “Satin doll” – a signature tune – and its infectious melody made audience members sing along.

During the song “In a Sentimental Mood,” Lee took a break. The musicians were able to showcase their talents on this instrumental.

The romantic song compelled couples to dance. Yes, unlike the nightclubs of popular culture, the lost art of couples dance was invoked.

“In A Mellow Tone” made audience members shout with approval, saying “Yeah!” and “Walk that bass” — the sort of cool, hip lingo only a jazz club could permit.

The signature piece, “It Don’t Mean A Thing (If It Ain’t Got That Swing),” started with a lone bass-driven intro and then suddenly a dramatic drum snare powerfully burst into the well-known song. The piano player’s fingers flew over the keys. This time, several couples danced to the swing song. However, much to the audience’s dismay, this was the last song.

The crowd pleaded with the band for an encore. The band was given permission to go over its allotted stage time to indulge the enthusiastic audience. For the encore, the quintet played “Take 5” by Dave Bruebeck.

Lou Aparicio and Patty, a romantic pair, were thrilled about attending a night of jazz music. The couple frequently danced during the evening,

“It was a chance to listen to some good, old-time jazz,” said jazz club aficionado and dance connoisseur Lou Aparicio. “It’s a nice nightclub for entertainment—for Sacramento’s elite.”

“I was really amazed at the setting and the service here was superb,” said Patty, who declined to give her last name.

The dancing couple frequents the well-known clubs in town and even recommended several to attend—including The Backdoor, which Aparicio described as a “Frank Sinatra type of club.”

I spoke briefly with Lee about what inspired her to perform this special jazz collection.

“Good music inspires me,” she said.

“Scott (Brill-Lehn) asked me to come and do ‘An Evening Of Duke Ellington,’” Lee said. “I’ve done Billie Holiday before, and the next best thing was Duke Ellington,” she added.

It was the best indeed. The night ended with attendees singing the words or humming the melody to their favorite Duke Ellington song. His musical legacy lives on in the heart of jazz lovers.

Trip-hop At The Townhouse Featuring Dusty Brown

2010-07-20T04:03:19Z

Attending the Sacramento Electronic Music Festival (SEMF) EP release party for Dusty Brown held Saturday at 9 p.m. at The Townhouse Lounge meant I had to be prepared for a one-of-a-kind experience.

When I walked into the dimly lit lounge there was house, techno and hip-hop music blasting over the speakers and a chalk board that displayed the bands performing for the night. The talent for the event featured TAIS, Melee Beats and headliner Dusty Brown.

The clandestine lounge has two floors. DJ Rockbottom spun hip-hop music on the first floor and DJ MooOkie spun music for the crowd on the top main floor. The variety of onstage talent and DJs gave everyone something to listen to.

“I’m excited to hear Dusty Brown,” said DJ MooOkie. “I’m excited to spin for this type of crowd—it’s going to be real eclectic in here tonight.”

TAIS warmed the crowd up by performing several singles to the standing-room-only auience. Those who enjoy the fusion of hip-hop music and electronic music were thrilled by the lyrical performance of TAIS.

“I met TAIS about four years ago, and I’ve been supporting him ever since,” said attendee Edward Willis. “My mind is open to listening to all kinds of music—I listen to anybody.”

Melee Beats energized the crowd with his set prior to Dusty Brown’s performance. He really kicked the celebration up another notch by playing his mix of house music. The steady throb of the bass line kept several attendees in perpetual movement on the dance floor.

“I’m honored that my music has made it to this audience,” said Nic Bertino, also known as Melee Beats.

“Everyone likes a good beat, and people are going to get into it—I believe we’re all connected by rhythm,” Bertino said.

Adam Sakey, the event’s organizer, gave some insight into what it took to put together an exciting lineup of artists. He credits the people around him for the success of the electronic music scene.

“I’m lucky to have the right people around me — it’s about connecting ideas and collaborating… that’s what allows us to do amazing things. We can turn molehills into mountains,” he said.

“The shows are a part of a bigger vision for the Sacramento Electronic Music Festival,” he continued. “This is the third show in the series – it’s building up to the next annual SEMF culminating the last weekend in January,” Sakey said.

Sakey said he has a “rock star reverence” for these groups, and claimed that Dusty Brown is “one of the best-kept secrets that Sacramento has to offer.”

That’s a strong statement, and I wondered if the band would live up to this big reputation. I spoke with a few attendees about Dusty Brown and his brand of music.

“I’ve known Dusty for more than 15 years,” said supporter Marc Delchiaro. “Dusty’s music is a real interesting sound — it’s layered music consisting of DJ beats on top of vocals which are sung by his sister — who sings like an angel,” Delchiaro said.

“It’s the opposite of analog music, a little more like techno,” described fan and aspiring trip-hop musician Rohin Koshi.

However, listeners can judge for themselves if Dusty Brown is the city’s best local trip-hop band. The group’s EP album “This City Is Killing Me” can be found at dustybrown.com and downloaded for free.

The album is a combination of dark ominous sounds strategically engineered over an infectious bass and guitar with breathy female lead vocals that stitch together the ensemble. The track “Stevey Wonder” — a track titled by lead vocalist and Dusty’s sister, Jessica — will get your head nodding. Despite the group’s experimental sound, there is one traditional element: Dusty Brown itself is composed of family members: a brother, a sister and a cousin.

I had a chance to speak with Dusty prior to his performance, and he gave a candid view into his craft. Dusty is a father of four with another on the way. He uses his music as a platform for expression and relief from the stress of the rigorous balancing act of fatherhood and his musical career.

“Tonight everyone can expect a lot of stress relief,” Dusty said. “I have every intention of just letting it all go — this is my only outlet where I can fully express myself.”

The band leader said that fans and listeners alike can compare his music style to groups like Portisehead, Can, and Aphex Twin. Dusty has a very specific yet simple and honest message that he wants to deliver to his listeners. His message is the underlying factor as to why he has staying power in the electronic/trip-hop genre.

“Authenticity,” he said. “I’m not here to get anything from anybody. My EP is free to download.” The artist accepts donations for the CD both online and at any venue during the group’s performance.

Midnight arrived, and Dusty Brown played the songs from the album. The band lived up to the expectations of what is heard on the EP, and even more impressive were the enchanting soprano vocals of the lead singer.

Slight head nods to the downtempo rhythm and being submerged in one’s own thoughts are the pure symptoms of enjoying this band. The EP is deeply contemplative and relaxing. Anything that sounds this good and produces these effects has got to be a great addition to your music collection.

Caption 2: Adam Sakey, SEMF Organizer addresses the audience.

Caption 3: TAIS gives thrilling lyrical performance and rocks the crowd.

Caption 6: DJ MooOkie spins for the crowd between sets.

Caption 7: Melee Beats takes the stage to spin house mixes.

Caption 8: Attendees dance to the grooves of Melee Beats.

Caption 9: DJ Rockbottom spins hip-hop in the downstairs lounge.

Caption 10: Headlining band Dusty Brown starts their music set.

Caption 13: The crowd listens intently to Dusty Brown.

Caption 14: Lauren Silva, greets supporters at the door.

Photo Credit: Delgreta Brown

Musicians Honored At The "Sounds Of Soul Awards"

2010-06-08T06:17:42Z

It was a "Soulful" weekend indeed!

Following on the heels of the V101.1 Soul Jam, the Sounds Of Soul Awards rounded out the weekend’s music events.

The awards ceremony was held Sunday evening at The Crest Theatre. The show displayed a variety of talent in the categories of R&B, jazz, hip-hop and gospel. Several local performers graced the stage in an exciting line-up, which kept audiences curious to see which artist and genre would come next.

Although the event headlined Fresh Prince of Bel-Air star Tatyana Ali as the host, she was unable to attend. Despite her absence, promoters and emcees of the awards ceremony said "the show must go on." The audience agreed and the show never skipped a beat after the announcement.

During the gospel segment, noted performances by Lolita Moore and the Family Life Christian Workshop brought down the house and got faith believers to have a praising good time. There were plenty of hands clapping and bodies rocking to the rhythms of the gospel artist and the choir performances.

Talented jazz musician Larry Ellis Jr. swept the jazz category. Ellis was awarded Best Jazz Band and Best Jazz Performer. After receiving his awards, the Larry Ellis Jr. Band took to the stage and played an instrumental rendition of “Rock Steady” by R&B soul group The Whispers.

The highlight of the show, however, was when the '90s music group Club Nouveau came onstage and performed their hit songs “Rumors,” “Why You Treat Me So Bad” and the Grammy-award winning song “Lean On Me.” Attendees danced as the trio sang these energetic up-tempo songs.

“We’ve been making music for 25 years,” producer and band member Jay King said. “You know, we started right out there in Del Paso Heights. We had the pleasure of making some music that would last through the years."

The tribute to the late Temptations front singer, Ali "Ollie" Woodson, was a touching moment. Recording artist Gwen Major was scheduled to sing a duet with the legendary performer before his untimely passing. The audience listened intently to Major perform solo alongside Woodson’s recorded signature voice on the Marvin Gaye classic “(Heaven Must’ve Sent) Your Precious Love.”

The showcase was a special way to honor the contributions of Sacramento-area musicians and celebrate music in the community. There were many musical artists who entertained the audience during the awards ceremony, which ran over the allotted time. Overall, it was musician’s collective participation that made the event a success.

Radio Station V101.1's 'Red Hot' Super Summer Soul Jam

2010-06-07T06:56:22Z

Remember the good old days of music, when the beat made you move and the dances had names such as The Smurf, The Wop, The Running Man, The Hammer and The Snake?

Those times came to mind Friday at “Super Summer Soul Jam” at the Radisson Hotel, with phenomenal performances by Lisa Lisa, The Jets and Tony! Toni! Tone!

Radio station V101.1 hosted the party to mark a decade in the business. For those who loved the music and dances of the '80s and '90s, the concert brought to mind one word … epic..

Promoters Mike Rogers and Henry Ramos told The Sacramento Press before the concert how the fun came to be.

“I put together a list of 20 performers and sent it to V.101 for them to pick a group of artists for their 10th year anniversary,” Rogers said.

“I wanted the radio station to feel that they had some input in building this concert," he said. "It’s not typical they get to do this, so everyone is excited.”

“I handle the street teams and promotion of the event,” said Ramos.

“We’ve been promoting the event for about three months,” he said. “We expect 1,200 to 1,500 people out tonight. It’s one big party but it is a real intimate show.”

Many people at the concert were fans of all three groups.

“It’s a mixture for me,” said Jerome Rhodes. “I was curious about The Jets … and Tony! Toni! Tone! is always good. “

“We were just now talking about the era we grew up in,” said Rhodes, who was there with Kimberly Ransom.

“It was a surprise to come to the concert tonight,” Ransom said. “I cannot wait to see Tony! Toni! Tone!.”

Diane Firth said she was there because of her friend Lisa Delgado. “I didn’t recognize the bands headlining, but she told me that I’d recognize the music,” Firth said.

“I’m a fan of all of them, especially Tony! Toni! Tone! and Lisa Lisa,” Delgado said. “My favorite song is 'Can You Feel The Beat Within My Heart.' ”

The crowd went wild for Lisa Lisa, who showed off her vocal range with "All Cried Out."

There were familiar songs for the audience to sing along with, and there were new songs from her album “Life For Love.” Lisa Lisa and her background dancers rocked out to “I Wonder If I Take You Home” and the audience pumped it up, too, waving their hands in the air.

Laviennia Jackson took a stroll down memory lane when The Jets took the stage.

“I was 11 years old when The Jets came out, now I’m 39,” said the mother of four. “I can even remember the boyfriend I was dating at the time when I listened to them.”

The Jets started their set with the high-energy “Sending All My Love” and “Cross My Broken Heart” and kept it up. People were dancing in the aisles to the up-tempo “Curiosity.” But things reached a new level when the group performed a medley of Jackson 5 tunes while re-creating their trademark moves. The Jets slowed things down with the Delfonics' “La La La Means I Love You,” then thrilled the crowd with its signature song, “Crush On You.”

The love was flowing both ways. “It’s been kind of surreal for us,” said Jets keyboardist Kathi.

“We’re celebrating our 25th anniversary and we love being in Sacramento.”

Lead singer Moanna Feinga called the city amazing. “I remember Sac from back in the day -- they have always been good to us,” she said.

“I was 11 years old when we first came here. We came here 25 years ago and we always get a warm response from this audience,” she said as she signed T-shirts and autographs.

For some, the main attraction was yet to come.

“I came to see Tony! Toni! Tone!” said New Jersey City native Elijah Scott. “I want to hear ‘It Never Rains In Southern California,' ” he said, singing a few bars.

No one seemed disappointed as the band sang hits from “20th Century: The Best of Tony! Toni! Tone!,” including “I Been Thinking Of You,” “If I Had No Loot” and “It Never Rains."

Lead singer-turned-solo artist Raphael Saadiq set the mood with his sultry voice, and the band followed suit.

Guitarist and vocalist Dwayne Wiggins performed a soul-stirring solo and “It Feels Good” put the audience into groove mode, as did “Lay Your Head On My Pillow” and “Just Me And You.”

Then the group sang the apropos “Anniversary,” and extended best wishes to V.101.

Their show was one hit after another, ending with "Let's Get Down."

“It is still a blessing to be here!” Saadiq told the audience. “We love being a part of something positive!”

Photography Credit: Delgreta Brown

Canibus Concert Tour Brings Out Diverse Hip-Hop Community

2010-05-15T07:58:23Z

The Canibus “Melatonin Magik Tour” attracted members of Sacramento’s young and ethnically diverse hip-hop community to Harlows this week.

Even before Thursday's concert began, things were happening. DJ Rated R played a wide selection of hip-hop and the audience was treated to spontaneous freestyle battles. Break-dancers took to the dance floor and displayed their acrobatic skills—flipping, and doing windmills and incredible contortions.

Local underground hip-hop artists Shemzilla and A.R.A.B. were the opening performers. Shemzilla's catchy beats and clever lyrics warmed up the crowd.

“One thing about hip-hop is that there’s a bunch of different races in here tonight,” said underground hip-hop artist Task 1. “I’m from the South and my best friend is Hispanic,” he noted. “Hip-hop is something that everybody can do and be a apart of … It’s a culture.”

Task 1, who shared the stage with rapper A.R.A.B., displayed his talent by rapping 16 bars uninterrupted —an accomplishment in hip-hop. He wove into his freestyle a shout-out to The Sacramento Press for covering the event.

By the time he and A.R.A.B. had finished, the crowd was ready for Canibus.

“I like how Canibus hasn’t really sold out,” said Paul Schindler. “I’d like to see him more successful in mainstream music, though. He’s more of a nostalgic rapper.”

“I’ve been a fan of Canibus for 15 years,” said G. Black. “It started around when Canibus battled LL Cool J and lost. Canibus was a better underground artist, but LL won that battle.

"He’s done work with a lot of other artists, such as KRS-1 and Boogie Down Productions," Black said, adding, "He always stayed true to his form.”

Political activism is a common element of hip-hop culture, with rap artists including social and political messages in their music. This event was no exception.

“Some of (Canibus') lyrics are controversial," said Ian, "but they make you take a step back and think about things from a different perspective.”

Community organizer Steven Payan helped promote the tour, and was on hand to tell concertgoers about a political rally.

“On May 25, the Labor Council for Latin American Advancement (LCLAA) of Sacramento, which is a national organization, will be demanding that the Sac City Council support a resolution to boycott doing business with Arizona,” he said.

Message delivered, it was time for the main act.

Canibus walked on the stage wearing a hooded sweatshirt, as if to say, "Hip-hop's rap champ is here."

The crowd got frenzied with the heavy bass-laden track “Sharp Shooter.” And Canibus kept the energy flowing song after song with his rapid-fire style of rapping.

When he performed “Second Round Knockout,” the audience joined in, reciting the lyrics word for word.

Canibus ended the concert with the self-titled “Can-I-Bus.” Heads nodding and hands waving, the audience responded, “Yes, you can!”

The rapper thanked his fans for their continued support despite his extended absence from the hip-hop music scene. He called Sacramento a “real city” that made him feel welcome him for his first show here.

“Sacramento supports hip-hop,” said Melkez, a concert supporter and clothing entrepreneur. ”We also support our own artists.”

Editor's note: A last name of a quoted source has been removed after publication of this article.

The Raul Midon Experience

2010-05-03T17:20:47Z

“Encore! Encore! Encore!” the audience at Harlows chanted at the Raul Midon concert. Those who missed the Saturday evening performance will have to catch him on YouTube or when he comes to Sacramento again.

Midon is the consummate performer, passionate about his craft. His voice and guitar are his only instruments. He personalized his concert by talking about the inspiration and experience behind each song with candor and humor. It felt as if members of the audience had a personal relationship with him.

“Music is a form of communication. It goes deeper and communicates with the conscious and subconscious,” he said last week in an interview with The Sacramento Press. “People are gonna perceive things that are played in minor as more contemplative than when things are played in major.”

Midon demonstrated the method at Harlows, opening with the staccato, uptempo rhythm of “Silly Man” from his new album, “Synthesis.” The song was marked by sharp changes in pitch and key and scatting -- a trademark signature of jazz artists.

Midon alternated between soft and loud, including in an incredible guitar solo, and then sped up the tempo, fingers flying. He slapped his guitar, creating an abrupt beat. This musician needs no drummer, trumpet player or back-up musicians. He is a one-man band.

“Don’t Take It That Way” was a crowd favorite. Heads nodded, bodies swayed and shouts of pure enjoyment pierced the air.

“Suddenly,” a song from Midon’s “State Of Mind” album, slowed things down with a sentimental melody and introspective lyrics.

He sang the first part of “Sunshine I Can Fly” in Spanish. The audience clapped to the pulsating rhythm as Midon sang, his hands beating his guitar. Unexpectedly, Midon began making his signature trumpet sound, which is similar to beat-boxing in hip-hop music. He deviated from the song, improvising musical scales as the guitar accompanied his mock trumpet vocals. A man yelled from the crowd, “… and it doesn’t get any better than that!”

But it did, with “Invisible Chains.” The love song provided a “rock-steady-reggae” groove in which he soulfully crooned, “where there’s a will, there’s a way.” That phrase turned into a mantra as he sang the words “everybody deserves a second chance.”

The crowd appeared transfixed by his guitar in “Bonnie’s Song" and then heard the beautiful instrumental “World Within a World.”

“I’m a optimistic guy … there’s all kinds of feelings. It’s important to write edgier songs with dimension,” he said last week. “The previous Stevie Wonder comparisons are due to the gospel, black-soul sound. But people compare me to him because we’re both blind; frankly, we’re very different. We can share different sentiments, but we share edgy songs.”

Midon performed “About You,” considered one of his edgier tracks. Its explicit lyrics tell of betrayal, yet anger never sounded so sweet.

“The Next Generation” has a social and political message. Before singing it, Midon said, “After the elections … it was a little too happy, I was buoyed by all of that.”

“Waited All My Life," written when he and his wife were dating, seemed to touch the audience. “This is a straight-up love song,” he said. “I had to find a way to up my game to move things along in the relationship.” It was a beautiful tribute, honest and disarming.

Midon attributed the inspiration behind "Sitting in the Middle" to Donnie Hathaway, a musician to whom critics have compared him.

The best part of the performance was Midon's interaction with the audience during his final song. He did call and response on “State of Mind,” the title track on his previous album. Midon displayed an awesome vocal range, singing a note that the audience would then repeat. He strummed his guitar a mile a minute as the crowd screamed and applauded.

For an encore, he sang “Mystery Girl.”

“He’s a great musician and composer,” said Nevada City resident Philippe Olivera, who's a native of Brazil.

The concert attracted newcomers to Midon's music as well as devoted fans.

“I came here originally to support the band playing after Midon, and instead, I found a sound I’m interested in listening more to,” said Sacramentan Trish Hunt.

“I thought he was dynamic,” Steve Cooper said of the performance. “I was blown away by the sounds he brings out of that guitar. He doesn’t need a band. He’s better live than on his recordings in the studio … he was well worth the price of admission.”

“I found him through the Web and have been following him ever since. He’s amazing. The experience was intense,” said concertgoer Shawn Monsen. “It was his first album that really hooked me.”

For an artist’s music to stand alone, without back-up singers or a band, speaks volumes. Midon carries the stage, no assistance required. He said he prefers performing solo.

“I will continue to do so. That’s not to say I won’t go out with a band. But I love this format,” he said. “I found a voice that’s unique. It’s a voice on guitar and hopefully people will know it's me.”

Raul Midon Brings Tour For Album "Synthesis" To Harlow's

2010-04-27T11:58:32Z

Phenomenal singer, songwriter and guitarist Raul Midon is ready to excite audiences at Harlow’s at 7:30 p.m. Saturday.

The musician will bring his sensational vocals to the stage for one night as a part of the tour for his new album, “Synthesis.”

Midon’s sound is a fusion of jazz, soul and pop music steeped in Latin influence. Critics have often compared his vocal style and talent to the likes of Stevie Wonder and Donnie Hathaway. Yet this artist is by no means a replica of those musicians. Instead, Midon is a certifiably unique talent and in a league of his own.

He has a distinct sound that’s raw, clear and precise – a musical message that cannot be understood by merely reading the lyrics to his songs. According to Midon, his message transcends simple words and themes.

“‘Synthesis’ is a collection of stories about different characters…it’s not one message and not so much a concept,” Midon said. “But, there’s a musical message. I’ve been interested in combining different musical elements. The love songs are a little more spiritual too.

“I’m interested in a lot of different music,” he added. “So, it doesn’t fit into a specific genre, it’s a little Brazilian, soul, pop and jazz.”

His live performances are energetic and filled with surprises. Midon’s guitar-laced songs and extraordinary vocals are a soul-stirring combination that is sure to please audiences. Sacramento can expect a musician who is passionate about his craft – a musical virtuoso and a remarkably innovative performer.

“I’ll play songs from the new record on Saturday,” Midon said. “I’m a performer that does something differently every time. I like to try to be spontaneous with my songs. Anything goes—it’s the jazz element of improvisation.”

The concert this weekend will surely be dubbed, “The Raul Midon Experience.” And the experience will truly be one not to miss!